Caravanistan is an 80-page photobook documenting a month-long journey through Central Asia along the ancient Silk Road. Conjuring images of vast mountain ranges, earthy warmth yurts, and ancient architecture.
Paired with a curated scent and original soundtrack, transforms it into a full-sensory journey. Caravanistan invites readers to slow down, look closer, and rediscover the wonder of the road.
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An indigo-dyed exploration of the bathroom as a space for release, reflection and occasionally, revelation. Each framed piece features haikus silk-screened onto real toilet paper, blending absurdity with sincerity. It attempts to reframe the mundane as art, asking us to sit, think, and maybe even let go.
Behind every street name lies a story, waiting to be told or reimagined. In this collection, we look at roads and imagine, conjuring tales from the ordinary and the overlooked. It is about blending memory, history and the personal. About reconstructing what is unseen, through words.
Making videos was my first love. It taught me to see the world frame by frame, moment by moment. Through the lens, I seek out new narratives, voices not often heard, stories waiting to be told. Each film is a way of exploring, of shaping memory, of finding meaning in the moving image.
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In this early 1900s reimagining, cowboys roam muddy trails and rustling palms. At its centre: Razak, a mercenary of contradictions, sarong on his waist, cowboy hat on his head, and ghosts in his past.
Alongside his steed Kilat, he rides through a landscape where loyalty shifts like monsoon winds. Told in stark panels and quiet tension, this east-meets-west tale wonders: is Razak a hero, a threat, or just another myth in the making?
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Do we fill spaces, or do spaces fill us? In Singapore, many are marked for demolition or are already lost to the wrecking ball. This ongoing project documents my walks through the heartlands, where my camera becomes a silent witness to the scenes and spirits of each neighbourhood before it fades one day.
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